You do not have to be good. You do not have to walk on your knees for a hundred miles through the desert repenting. You only have to let the soft animal of your body love what it loves. Tell me about despair, yours, and I will tell you mine. Meanwhile the world goes on. Meanwhile the sun and the clear pebbles of the rain are moving across the landscapes, over the prairies and the deep trees, the mountains and the rivers. Meanwhile the wild geese, high in the clean blue air, are heading home again. Whoever you are, no matter how lonely, the world offers itself to your imagination, calls to you like the wild geese, harsh and exciting - over and over announcing your place in the family of things.
I go to the mountain side of the house to cut saplings, and clear a view to snow on the mountain. But when I look up, saw in hand, I see a nest clutched in the uppermost branches. I don’t cut that one. I don’t cut the others either. Suddenly, in every tree, an unseen nest where a mountain would be.
I like the generosity of numbers. The way, for example, they are willing to count anything or anyone: two pickles, one door to the room, eight dancers dressed as swans.
I like the domesticity of addition— add two cups of milk and stir— the sense of plenty: six plums on the ground, three more falling from the tree.
And multiplication’s school of fish times fish, whose silver bodies breed beneath the shadow of a boat.
Even subtraction is never loss, just addition somewhere else: five sparrows take away two, the two in someone else’s garden now.
There’s an amplitude to long division, as it opens Chinese take-out box by paper box, inside every folded cookie a new fortune.
And I never fail to be surprised by the gift of an odd remainder, footloose at the end: forty-seven divided by eleven equals four, with three remaining.
Three boys beyond their mother’s call, two Italians off to the sea, one sock that isn't anywhere you look.
In Flanders fields the poppies blow Between the crosses, row on row, That mark our place, and in the sky, The larks, still bravely singing, fly, Scarce heard amid the guns below.
We are the dead; short days ago We lived, felt dawn, saw sunset glow, Loved and were loved, and now we lie In Flanders fields.
Take up our quarrel with the foe! To you from failing hands we throw The torch; be yours to hold it high! If ye break faith with us who die We shall not sleep, though poppies grow In Flanders fields.
Caminante, son tus huellas el camino y nada más; Caminante, no hay camino, se hace camino al andar. Al andar se hace el camino, y al volver la vista atrás se ve la senda que nunca se ha de volver a pisar. Caminante, no hay camino sino estelas en la mar.
Traveler, your footprints are the only road, nothing else. Traveler, there is no road; you make your own path as you walk. As you walk, you make your own road, and when you look back you see the path you will never travel again. Traveler, there is no road; only a ship's wake on the sea.
Es porque un pajarito de la montaña ha hecho, en el hueco de un árbol, su nido matinal, que el árbol amanece con música en el pecho, como que si tuviera corazón musical.
Si el dulce pajarito por entre el hueco asoma, para beber rocío, para beber aroma, el árbol de la sierra me da la sensación de que se le ha salido, cantando, el corazón.
The Nest By Alfredo Espino El Salvador
It’s because a little mountain bird has made, in the hollow of a tree, his morning nest, that the tree wakes up with music in its chest, as if it had a musical heart.
If the sweet little bird in the hollow appears, to drink dew, to drink aroma, the tree of the sierra makes me feel that it has left the heart singing.
Submitted by student Victor Robles Read by Wendy Sandoval
O Star (the fairest one in sight), We grant your loftiness the right To some obscurity of cloud - It will not do to say of night, Since dark is what brings out your light. Some mystery becomes the proud. But to be wholly taciturn In your reserve is not allowed. Say something to us we can learn By heart and when alone repeat. Say something! And it says "I burn." But say with what degree of heat. Talk Fahrenheit, talk Centigrade. Use language we can comprehend. Tell us what elements you blend. It gives us strangely little aid, But does tell something in the end. And steadfast as Keats' Eremite, Not even stooping from its sphere, It asks a little of us here. It asks of us a certain height, So when at times the mob is swayed To carry praise or blame too far, We may choose something like a star To stay our minds on and be staid.
(1916)
You can find a beautiful musical arrangement of this poem by composer Randall Thompson here: https://www.youtube.com/watch?v=LNDrMifZqLU
One wading a Fall meadow finds on all sides The Queen Anne’s Lace lying like lilies On water; it glides So from the walker, it turns Dry grass to a lake, as the slightest shade of you Valleys my mind in fabulous blue Lucernes.
The beautiful changes as a forest is changed By a chameleon’s tuning his skin to it; As a mantis, arranged On a green leaf, grows Into it, makes the leaf leafier, and proves Any greenness is deeper than anyone knows.
Your hands hold roses always in a way that says They are not only yours; the beautiful changes In such kind ways, Wishing ever to sunder Things and things’ selves for a second finding, to lose For a moment all that it touches back to wonder.
The people I love the best jump into work head first without dallying in the shallows and swim off with sure strokes almost out of sight. They seem to become natives of that element, the black sleek heads of seals bouncing like half-submerged balls.
I love people who harness themselves, an ox to a heavy cart, who pull like water buffalo, with massive patience, who strain in the mud and the muck to move things forward, who do what has to be done, again and again.
I want to be with people who submerge in the task, who go into the fields to harvest and work in a row and pass the bags along, who are not parlor generals and field deserters but move in a common rhythm when the food must come in or the fire be put out.
The work of the world is common as mud. Botched, it smears the hands, crumbles to dust. But the thing worth doing well done has a shape that satisfies, clean and evident. Greek amphoras for wine or oil, Hopi vases that held corn, are put in museums but you know they were made to be used. The pitcher cries for water to carry and a person for work that is real.
Wild Geese
ReplyDeleteBy Mary Oliver
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting -
over and over announcing your place
in the family of things.
When Giving Is All We Have
ReplyDeleteAlberto Ríos, 1952
One river gives
Its journey to the next.
We give because someone gave to us.
We give because nobody gave to us.
We give because giving has changed us.
We give because giving could have changed us.
We have been better for it,
We have been wounded by it—
Giving has many faces: It is loud and quiet,
Big, though small, diamond in wood-nails.
Its story is old, the plot worn and the pages too,
But we read this book, anyway, over and again:
Giving is, first and every time, hand to hand,
Mine to yours, yours to mine.
You gave me blue and I gave you yellow.
Together we are simple green. You gave me
What you did not have, and I gave you
What I had to give—together, we made
Something greater from the difference.
Choices
ReplyDeleteBy Tess Gallagher
I go to the mountain side
of the house to cut saplings,
and clear a view to snow
on the mountain. But when I look up,
saw in hand, I see a nest clutched in
the uppermost branches.
I don’t cut that one.
I don’t cut the others either.
Suddenly, in every tree,
an unseen nest
where a mountain
would be.
for Drago Štambuk
Numbers
ReplyDeleteBy Mary Cornish
I like the generosity of numbers.
The way, for example,
they are willing to count
anything or anyone:
two pickles, one door to the room,
eight dancers dressed as swans.
I like the domesticity of addition—
add two cups of milk and stir—
the sense of plenty: six plums
on the ground, three more
falling from the tree.
And multiplication’s school
of fish times fish,
whose silver bodies breed
beneath the shadow
of a boat.
Even subtraction is never loss,
just addition somewhere else:
five sparrows take away two,
the two in someone else’s
garden now.
There’s an amplitude to long division,
as it opens Chinese take-out
box by paper box,
inside every folded cookie
a new fortune.
And I never fail to be surprised
by the gift of an odd remainder,
footloose at the end:
forty-seven divided by eleven equals four,
with three remaining.
Three boys beyond their mother’s call,
two Italians off to the sea,
one sock that isn't anywhere you look.
This comment has been removed by the author.
ReplyDeleteIn Flanders Fields
ReplyDeleteJohn McCrae, 1872 - 1918
In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place, and in the sky,
The larks, still bravely singing, fly,
Scarce heard amid the guns below.
We are the dead; short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.
Take up our quarrel with the foe!
To you from failing hands we throw
The torch; be yours to hold it high!
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.
Poem for April 6
ReplyDeleteCaminante, no hay camino
By Antonio Machado
Caminante, son tus huellas
el camino y nada más;
Caminante, no hay camino,
se hace camino al andar.
Al andar se hace el camino,
y al volver la vista atrás
se ve la senda que nunca
se ha de volver a pisar.
Caminante, no hay camino
sino estelas en la mar.
Traveler, your footprints
are the only road, nothing else.
Traveler, there is no road;
you make your own path as you walk.
As you walk, you make your own road,
and when you look back
you see the path
you will never travel again.
Traveler, there is no road;
only a ship's wake on the sea.
translated by Mary G. Berg and Dennis Maloney
This comment has been removed by the author.
ReplyDeletePoem for April 11
ReplyDeleteThe Moment
Marie Howe
Oh, the coming-out-of-nowhere moment
when, nothing
happens
no what-have-I-to-do-today-list
maybe half a moment
the rush of traffic stops.
The whir of I should be, I should be, I should be
slows to silence,
the white cotton curtains hanging still.
Poem for April 10, 2018
ReplyDeleteEl Nido
By Alfredo Espino
El Salvador
Es porque un pajarito de la montaña ha hecho,
en el hueco de un árbol, su nido matinal,
que el árbol amanece con música en el pecho,
como que si tuviera corazón musical.
Si el dulce pajarito por entre el hueco asoma,
para beber rocío, para beber aroma,
el árbol de la sierra me da la sensación
de que se le ha salido, cantando, el corazón.
The Nest
By Alfredo Espino
El Salvador
It’s because a little mountain bird has made,
in the hollow of a tree, his morning nest,
that the tree wakes up with music in its chest,
as if it had a musical heart.
If the sweet little bird in the hollow appears,
to drink dew, to drink aroma,
the tree of the sierra makes me feel
that it has left the heart singing.
Submitted by student Victor Robles
Read by Wendy Sandoval
Poem for April 12
ReplyDeleteChoose Something Like a Star
By Robert Frost
O Star (the fairest one in sight),
We grant your loftiness the right
To some obscurity of cloud -
It will not do to say of night,
Since dark is what brings out your light.
Some mystery becomes the proud.
But to be wholly taciturn
In your reserve is not allowed.
Say something to us we can learn
By heart and when alone repeat.
Say something! And it says "I burn."
But say with what degree of heat.
Talk Fahrenheit, talk Centigrade.
Use language we can comprehend.
Tell us what elements you blend.
It gives us strangely little aid,
But does tell something in the end.
And steadfast as Keats' Eremite,
Not even stooping from its sphere,
It asks a little of us here.
It asks of us a certain height,
So when at times the mob is swayed
To carry praise or blame too far,
We may choose something like a star
To stay our minds on and be staid.
(1916)
You can find a beautiful musical arrangement of this poem by composer Randall Thompson here:
https://www.youtube.com/watch?v=LNDrMifZqLU
Poem for April 23
ReplyDeleteToday
BY Billy Collins
If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze
that it made you want to throw
open all the windows in the house
and unlatch the door to the canary's cage,
indeed, rip the little door from its jamb,
a day when the cool brick paths
and the garden bursting with peonies
seemed so etched in sunlight
that you felt like taking
a hammer to the glass paperweight
on the living room end table,
releasing the inhabitants
from their snow-covered cottage
so they could walk out,
holding hands and squinting
into this larger dome of blue and white,
well, today is just that kind of day.
Poem for April 24
ReplyDeleteRisk
By Anais Nin
And then the day came,
when the risk
to remain tight
in a bud
was more painful
than the risk
it took
to Blossom.
Poem for April 25
ReplyDeleteThe Beautiful Changes
BY RICHARD WILBUR
One wading a Fall meadow finds on all sides
The Queen Anne’s Lace lying like lilies
On water; it glides
So from the walker, it turns
Dry grass to a lake, as the slightest shade of you
Valleys my mind in fabulous blue Lucernes.
The beautiful changes as a forest is changed
By a chameleon’s tuning his skin to it;
As a mantis, arranged
On a green leaf, grows
Into it, makes the leaf leafier, and proves
Any greenness is deeper than anyone knows.
Your hands hold roses always in a way that says
They are not only yours; the beautiful changes
In such kind ways,
Wishing ever to sunder
Things and things’ selves for a second finding, to lose
For a moment all that it touches back to wonder.
Poem for April 26
ReplyDeleteCurve of Pursuit
Bin Ramke
A point, a line, alignment. Lovely
the lingering lights along the shore
as the century lays itself out for observation:
hunger and the youthful indiscretion.
I am one of many, or not even one,
but am of many one who watches the waves
and allows the particulate sand its say,
say, its sound, susurrant. Of many one
engaging the ear as if the Pacific
meant its name, as if the edge of
continent contented us with boundary.
Draw a line from A to B. Live there.
Poem for April 27
ReplyDeleteTo be of use
BY MARGE PIERCY
The people I love the best
jump into work head first
without dallying in the shallows
and swim off with sure strokes almost out of sight.
They seem to become natives of that element,
the black sleek heads of seals
bouncing like half-submerged balls.
I love people who harness themselves, an ox to a heavy cart,
who pull like water buffalo, with massive patience,
who strain in the mud and the muck to move things forward,
who do what has to be done, again and again.
I want to be with people who submerge
in the task, who go into the fields to harvest
and work in a row and pass the bags along,
who are not parlor generals and field deserters
but move in a common rhythm
when the food must come in or the fire be put out.
The work of the world is common as mud.
Botched, it smears the hands, crumbles to dust.
But the thing worth doing well done
has a shape that satisfies, clean and evident.
Greek amphoras for wine or oil,
Hopi vases that held corn, are put in museums
but you know they were made to be used.
The pitcher cries for water to carry
and a person for work that is real.